BMW Art Guide by Independent Collectors

JAEMYUNG NOH

Interview with the Korean collector who has been collecting art since high school.

JaeMyung Noh & SoHyun Park © JaeMyung Noh
JaeMyung Noh & SoHyun Park © JaeMyung Noh

JaeMyung Noh, a 33 year old education entrepreneur, began collecting in his high school years (he was educated in USA) and since he got married to pianist SoHyun Park in 2018 in South Korea, their shared collection has expanded, which is now comprised of around 300 artworks (except edition works), with a focus on figurative works of paintings and sculptures by emerging and mid-career artists including David Altmejd, Megan Rooney, Patrick Eugene, Simon Fujiwara, Zandile Tshabalala, Stanislava Kovalcikova, Julien Ceccaldi, Austin Lee, Manuel Solano, and Mimosa Echard. Most of them are in their 20s – 40s and Noh also collects enthusiastically young and emerging Korean artists such as Nam Kim, Jiwon Choi, Xian Kim, Hyun Nahm, SeungEun Song and Yaerim Ryu.

To share their understanding of contemporary art, which focused on emerging artists, they decided in the recent year to open their collection to the public and found an exhibition space (viewing room) in a three-story building in the district of Shinchon, one of the dynamic districts in Seoul surrounded by universities.

The collection’s storage space is situated on the first floor of the building and a viewing room is on the second floor. This place is for exchanging passion for art and ideas with art people from all around the globe and a guided private tour was offered as a part of the VIP program during FRIEZE Seoul last year. Also, they host many groups from place to place; from museum/gallery directors to collectors from all over the world.

The collector couple travels around the world regularly to visit art fairs, galleries and museums and to meet collector friends. They find their passion as patrons in developing emerging artists and supporting and following their careers. The artworks enrich their lives and change their view of the world, which they are willing to pass on to their daughter.

(left) Exhibition view, collection’s viewing room in Seoul © JaeMyung Noh
(left) Exhibition view, collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Megan Rooney, Renter’s Paradise, 2019 ©JaeMyung Noh
Megan Rooney, Renter’s Paradise, 2019 ©JaeMyung Noh
Storage space of the collection with Simon Fujiwara’s It’s a Small World (Bank), 2019 © JaeMyung Noh
Storage space of the collection with Simon Fujiwara’s It’s a Small World (Bank), 2019 © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh
Collection’s viewing room in Seoul © JaeMyung Noh

Would you please share your recent acquisitions?

The most recent acquisition is a collage/mixed media work by Ruby Onyinyechi Amanze (b. 1982 in Port Harcourt, Nigeria; lives and works in Philadelphia). I have been following the artist for a while and finally met the right work at the right time for my collection. Ruby is a young, talented artist, but she has already been shown at great galleries/institutions and been collected by important parties, including the Studio Museum of Harlem, Brooklyn, USA and the National Museum of African Art, Smithsonian Institution, Washington DC, USA.

You recently launched your own art fair in Seoul, which was held in Seoul last Spring. Would you tell us about it?

The inaugural edition of the art fair ‚Art OnO‘ 2024 welcomed about 40 galleries from 15 countries, including Galerie Chantal Crousel, Esther Schipper, Gallery Baton, Peres Projects, Gallery 2 and Mariane Ibrahim. The majority of participants were art galleries in South Korea among the international galleries and it was a distinctive art fair without any divided sectors or sections that featured from blue-chip art to works of emerging artists and offered exclusive programs not available elsewhere, such as talks by experts from various fields, architecture, film, music and literature, as well as talks by private art collectors. And we also collaborated on a digital art platform Artue, which provided an immersive experience with AI-enhanced online viewing rooms. The debut of the fair, ‘Art OnO with a concept of Young and Fresh, but Classy‘ was a success.

RUBY ONYINYECHI AMANZE THERE ISN'T A DAY WE WON'T FIND THE DANCE :: AUDRE + BIKES + POOL + ARCHITECTURE, 2023 INK, GRAPHITE, PHOTO TRANSFERS ON PAPER (182 X 197 cm) © JaeMyung Noh
RUBY ONYINYECHI AMANZE THERE ISN'T A DAY WE WON'T FIND THE DANCE :: AUDRE + BIKES + POOL + ARCHITECTURE, 2023 INK, GRAPHITE, PHOTO TRANSFERS ON PAPER (182 X 197 cm) © JaeMyung Noh

Insiders (71)

ISSA MASÉ

Emerging Collectors - The Ori House

Pieter and Carla Schulting

The Schulting Art Collection

KOO HOUSE MUSEUM

Exhibition venue with the theme ‚Living with Art‘

Wilhelmina Jewell Strong - Sparks

Founder of BiTHOUSE Projects - BAAR Art Journey

MATTHIAS ARNDT

Collector behind the ARNDT Collection

Sandra Guimarães

Director of Museum of Contemporary Art Helga de Alvear

Grazyna Kulczyk

Founder of Muzeum Susch

THE FAIREST

Interview with Georgie Pope and Eleonora Sutter, Co-founders

Kamiar Maleki

Director at VOLTA

Gallery Weekend Berlin 2022

Tokini Peterside

Founder and Director, ART X Lagos

Poka-Yio

Founding Director of the Athens Biennale

Boris Ondreička

Artistic Director of viennacontemporary

Maribel Lopez

Director of ARCO

David Gryn

Founder and Director of Daata

Fondation Beyeler Audiovisual Broadcast

Fondation Beyeler and Nordstern Basel present Dixon x Transmoderna

Gary Yeh

Founder of ArtDrunk and Young Collector

WATCH: The Best of the BMW Art Guide

Where will you travel next to explore art?

Maike Cruse

2020 Gallery Weekend Berlin

Touria El Glaoui

Founding Director of 1-54 Contemporary African Art Fair

Johann König

Messe in St. Agnes

PArt - Producers Art Platform

A crisis initiative to help artists directly affected by the pandemic

Barbara Moore

CEO of Biennale of Sydney

Unique Collector’s Item

by Independent Collectors

Alix Dana

Fair Director at Independent

When Collectors are Able to Commission

by Nicole Büsing and Heiko Klaas

Juliet Kothe and Julia Rust

Initiators of Collection Night, Berlin

Marie-Anne McQuay

Curator of Wales in Venice, 58th Venice Biennale 2019

Dorothy and Herb Vogel

Two extraordinary art collectors

Heather Hubbs

Director at NADA

Every Art Collection Needs Space

by Nicole Büsing and Heiko Klaas

Collecting Art with François Pinault

Rudolf Stingel at Palazzo Grassi

A Common Ground

by Silvia Anna Barrilà

Caroline Vos

Director at Amsterdam Art Weekend

Hidden Collections

by Nicole Büsing and Heiko Klaas

Nicole Berry

Executive Director of The Armory Show

Daniel Hug

Fair Director at Art Cologne

The Role of the Art Fair

by Silvia Anna Barrilà

Peter Bläuer

Director at LISTE

A Brush Against Nature

by Nicole Büsing and Heiko Klaas

Ilaria Bonacossa

Director of Artissima

Excessiveness, the Latent Danger of Collecting Art

by Independent Collectors

Jo Stella-Sawicka

Artistic Director at Frieze

Florence Bourgeois

Director at Paris Photo

Where Artists Can Work More Playfully

by Christiane Meixner

Specifically Commissioned

by Silvia Anna Barrilà

Manuela Mozo

Executive Director of UNTITLED, ART Miami and San Francisco

Important Museums and Private Collections

by Christiane Meixner

Susanna Corchia

Director of the Barcelona Gallery Weekend

Emilia van Lynden

Artistic Director at Unseen, Amsterdam

Carlos Urroz

Director at ARCOmadrid

Shoe Smudges Streaked Across the White Walls

by Christiane Meixner

Amanda Coulson

Director at VOLTA Basel

Douwe Cramer

Director at Singapore Contemporary

Art and Architecture – Attractive Allies

by Nicole Büsing and Heiko Klaas

Jo Baring

Curator of Sculpture Series, Masterpiece London

Bidders and Buyers

by Christiane Meixner

Anne Vierstraete

Managing Director at Art Brussels

Nanna Hjortenberg

Director at CHART

The Crucial Role of the New

by Independent Collectors

Makers and Believers

On Art History’s Most Famous Patrons

The Past is Back

And collectors are buying it up

Are Artists the Better Curators?

On the diminishing boundary between professions in the art world

The Digital Museum

On the importance of the museum’s web presence

The Man in the Middle

On the curator’s private and public engagements

A Private Matter?

On the importance of physical space for the value of art

Off the Wall

How museums contribute to the worth of artworks

Where to Go Next?

The fragmentation of Manhattan’s gallery scene

To Buy or Not to Buy

Collectors on their experiences of letting an artwork slip away

How to Pass On a Passion

On long-term challenges for new private museums