BMW Art Guide by Independent Collectors

Specifically Commissioned

by Silvia Anna Barrilà

The second volume of the BMW Art Guide by Independent Collectors is almost here but today we are having another look at our first volume. Besides writing about private collections our authors also wrote a number of short texts for the Art Guide, which we titled Shorties. The Shorties deal with various topics concerning collecting and collectors.

Silvia Anna Barrilà for instance looked at collectors who do not buy but instead commission! She found out that the practice of commissioning art works happens from New York to Naples, by real-estate tycoons and dentists alike.

“Walking down Park Avenue in New York City, you may not notice any difference between the Lever House and other buildings. But in the 1950s, this was the first modern glass skyscraper on the avenue. In 1998 it was bought by real-estate tycoon and legendary collector Aby Rosen, who initiated a 25-million-dollar renovation of the building and turned the lobby into an exhibition space. Works on show here were not just purchased from a gallery. Rather, they were commissioned specifically for the space from artists like Sarah Moris, Jorge Pardo, Tom Sachs, or Taryn Simon. After the show, the art became part of the Lever House Art Collection.

This kind of approach, reminiscent of Renaissance commissions, requires the artist to directly confront the space and surrounding conditions, which can present both limits and opportunities. More than anything, it involves a much closer relationship between the artist and the collector – sometimes even the collector’s influence on the artist’s work itself.

There are numerous collectors who occasionally or routinely opt for this particular way of buying art. If you follow the imaginary forty-first parallel from New York to Naples, you will find, for instance, Maurizio Morra Greco, a dentist who transformed a former picture gallery in a sixteenth-century palace into his art foundation. Morra Greco invites international artists to his space on a regular basis, who in turn bring novelty to the local scene and engage locals in a dialogue with art. For the first exhibition at the foundation, in 2006, he commissioned German artist Gregor Schneider, who transformed the foundation’s cellar in a dark labyrinth.”

The freelance journalist Silvia Anna Barrilà is specialized in the art market. Since 2008 she has been writing for the Italian financial newspaper Il Sole 24 Ore and for international media covering art, including Damn, Auction Central News, Artinvestor, and Monopol.

Insiders (51)

Johann König

Messe in St. Agnes

PArt - Producers Art Platform

A crisis initiative to help artists directly affected by the pandemic

Barbara Moore

CEO of Biennale of Sydney

Unique Collector’s Item

by Independent Collectors

Alix Dana

Fair Director at Independent

When Collectors are Able to Commission

by Nicole Büsing and Heiko Klaas

Juliet Kothe and Julia Rust

Initiators of Collection Night, Berlin

Marie-Anne McQuay

Curator of Wales in Venice, 58th Venice Biennale 2019

Dorothy and Herb Vogel

Two extraordinary art collectors

Heather Hubbs

Director at NADA

Every Art Collection Needs Space

by Nicole Büsing and Heiko Klaas

Collecting Art with François Pinault

Rudolf Stingel at Palazzo Grassi

A Common Ground

by Silvia Anna Barrilà

Touria El Glaoui

Founding Director of 1-54 Contemporary African Art Fair

Caroline Vos

Director at Amsterdam Art Weekend

Hidden Collections

by Nicole Büsing and Heiko Klaas

Daniel Hug

Fair Director at Art Cologne

The Role of the Art Fair

by Silvia Anna Barrilà

Nicole Berry

Executive Director of The Armory Show

Peter Bläuer

Director at LISTE

A Brush Against Nature

by Nicole Büsing and Heiko Klaas

Ilaria Bonacossa

Director of Artissima

Excessiveness, the Latent Danger of Collecting Art

by Independent Collectors

Jo Stella-Sawicka

Artistic Director at Frieze

Florence Bourgeois

Director at Paris Photo

Where Artists Can Work More Playfully

by Christiane Meixner

Manuela Mozo

Executive Director of UNTITLED, ART Miami and San Francisco

Important Museums and Private Collections

by Christiane Meixner

Susanna Corchia

Director of the Barcelona Gallery Weekend

Emilia van Lynden

Artistic Director at Unseen, Amsterdam

Carlos Urroz

Director at ARCOmadrid

Shoe Smudges Streaked Across the White Walls

by Christiane Meixner

Amanda Coulson

Director at VOLTA Basel

Douwe Cramer

Director at Singapore Contemporary

Art and Architecture – Attractive Allies

by Nicole Büsing and Heiko Klaas

Jo Baring

Curator of Sculpture Series, Masterpiece London

Bidders and Buyers

by Christiane Meixner

Anne Vierstraete

Managing Director at Art Brussels

Nanna Hjortenberg

Director at CHART

The Crucial Role of the New

by Independent Collectors

Makers and Believers

On Art History’s Most Famous Patrons

The Past is Back

And collectors are buying it up

Are Artists the Better Curators?

On the diminishing boundary between professions in the art world

The Digital Museum

On the importance of the museum’s web presence

The Man in the Middle

On the curator’s private and public engagements

A Private Matter?

On the importance of physical space for the value of art

Off the Wall

How museums contribute to the worth of artworks

Where to Go Next?

The fragmentation of Manhattan’s gallery scene

To Buy or Not to Buy

Collectors on their experiences of letting an artwork slip away

How to Pass On a Passion

On long-term challenges for new private museums