BMW Art Guide by Independent Collectors

LOYAL – Stockholm, Sweden

A Gallery that Pushes the Dialogue Around Young and International Art in Sweden’s Capital

Installation view of Ben Jones "Concept Unification" at LOYAL
Installation view of Ben Jones "Concept Unification" at LOYAL

Ten years ago, Stockholm's general public was seemingly unaware of the burgeoning international art scene that was blossoming in plain view. Back when Amy Giunta and Martin Lilja first opened LOYAL, a project that was seen as very daring at the time as Giunta and Lilja were spending only 50% of their time in Stockholm, with the rest was spent in New York. Over the years young international art has developed a stronger sense of awareness and focus, with this year's Stockholm art fair seeing many engaged visitors, particularly from the Nordic countries.

Installation view of Brian Belott and Jesse Greenberg’s "Windshield Unexpected Wipers" at LOYAL
Installation view of Brian Belott and Jesse Greenberg’s "Windshield Unexpected Wipers" at LOYAL
Installation view of Takeshi Murata, James Ferraro and Ben Jones’ "Time moving and storage" at LOYAL
Installation view of Takeshi Murata, James Ferraro and Ben Jones’ "Time moving and storage" at LOYAL

LOYAL first began as a magazine (LOYAL Magazine) in 2000. The original idea was to publish Kristian Bengtsson's images, a photographer who usually shoots only a single photo of a subject. This sense of curation, of editing down until you're left with only the pure essence of a concept, is what would unite Kristian, Amy, and Martin.

All of LOYAL's artists explore the concept of fear and danger in their work, and yet most manage to have a line of beauty that cuts straight through the darkness, leaving their work feeling charged full of energy. Amy Giunta tries to refrain from using the word “magic”, instead she trusts that LOYAL's artists produce work with merit and at the same time, is “lighthearted but dead serious”. Each of their artists make a direct impact on the present and future development of the gallery.

Installation view of Brad Troemel’s "Surface Protection Plus" at LOYAL
Installation view of Brad Troemel’s "Surface Protection Plus" at LOYAL
Installation view of Danilo Stankovic’s "Kreatör Deströyer" at LOYAL – © VG Bild-Kunst, Bonn 2017
Installation view of Danilo Stankovic’s "Kreatör Deströyer" at LOYAL – © VG Bild-Kunst, Bonn 2017

On running a gallery, Amy says “It takes the right touch to make something out of an idea and still have it feel light and effortless”. Especially, when that idea is in the midst of being discouraged by its contemporaries. When LOYAL first opened its doors the gallery had its fair share of doubters who believed Stockholm to be an impossible city in which to show young, emerging and international art. A road that since then has been paved with many obstacles, but unwavering in their belief, LOYAL came out the other side.

As it celebrates its 10th anniversary this year, LOYAL is entering a new phase. LOYALMagazine will be re-born; the first issue is set to be released in Miami during Art Basel Miami Beach at Bas Fisher Invitational. The release will coincide with an exhibition, curated by Berliners Anna Frost and Annika Kuhlmann. The next year will also see many solo shows, including Brian Kokoska, Zoe Barcza, and Jesse Stecklow amongst others.

Installation view of Henry Gunderson’s "Anderson’s Hidden Game" at LOYAL
Installation view of Henry Gunderson’s "Anderson’s Hidden Game" at LOYAL
Installation view of Melissa Brown’s "Anderson’s Hidden Game" at LOYAL – © VG Bild-Kunst, Bonn 2017
Installation view of Melissa Brown’s "Anderson’s Hidden Game" at LOYAL – © VG Bild-Kunst, Bonn 2017

Stockholm's inhabitants are also now more international, something that can be seen with the opening of numerous international restaurants and its switch to a more varied cultural lifestyle as a whole, with many new residents coming from New York and London. When artists come to visit, LOYAL tries its best to encourage a dialogue. They often bring artists together, taking visitors to studio visits to see Henry Gunderson or Jim Thorell. Amy Giunta remarks that it feels good to get back to Stockholm's roots – “it's an exciting, new time. Many artists (for example Jim Thorell, Alfred Boman, Zoe Barcza, and Max Rönnersjö) have been busy building something new and fresh – and that feels good”. Artists, no matter if local or just stopping by, make new connections in Stockholm, which result in a whole host of fresh things that are on the cusp of emerging. The LOYAL team plan to continue turning their gallery into a space where possibilities are endless.

by Liv Fleischhacker

Liv Fleischhacker is a freelance writer based in Berlin. Her favorite topics include art, design and food.

All images courtesy LOYAL, Stockholm

More Information on LOYAL

Galleries (40)

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Misako & Rosen — Tokyo, Japan

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Tiwani Contemporary – London, Great Britain

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Frutta Gallery — Rome, Italy

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Contemporary Fine Arts – Berlin, Germany

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Bo Bjerggaard – Copenhagen, Denmark

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Pierre-Yves Caër Gallery – Paris, France

The Parisian gallery creating a home for Japanese artists in the European art market.

Blindspot Gallery — Hong Kong, China

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Vane – Newcastle upon Tyne, Great Britain

The Not-for-profit Space Offering Context And Critique In Newcastle

H’art Gallery — Bucharest, Romania

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LambdaLambda Lambda – Pristina, Kosovo

Mastering the Language in the Kosovan Capital

Deák Erika Galéria – Budapest, Hungary

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The Breeder Gallery – Athens, Greece

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Tim Van Laere Gallery – Antwerp, Belgium

An autonomous gallery representing both upcoming and well-established artists

Kraupa-Tuskany Zeidler – Berlin, Germany

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Galerie Fons Welters – Amsterdam, The Netherlands

A Doorway to Amsterdam’s Contemporary Art

Bosse & Baum – London, United Kingdom

Ambitious perspectives in Peckham

TM51 – Oslo, Norway

Three Galleries in One – Oslo’s Most Accessible Space

mfc-michèle didier – Paris, France

A Space that Reflects the Artistic Discipline

V1 Gallery – Copenhagen, Denmark

Challenging the Boundaries of Art

Upstream Gallery – Amsterdam, The Netherlands

Tackling the Shift Between the Analog and Digital in a Post Internet World

Galerie Forsblom – Helsinki, Finland

Bringing international contemporary art to the Finnish capital

The Journal Gallery – New York, USA

Saving New York from Becoming a Sale-Focused Gallery Wasteland

Peres Projects – Berlin, Germany

Bridging the Gap Between Los Angeles and Berlin

Galeria OMR – Mexico City

Mexico City’s advocate for modern artistic tendencies and international contemporary art

Chimera-Project — Budapest, Hungary

Post-contemporary interest in aesthetics while eagerly re-constructing and defining traditions

La New Gallery — Madrid, Spain

Celebrating contemporary art in all its multi-faceted forms

Roslyn Oxley9 Gallery – Sydney, Australia

Her uncanny ability to recognize unique Pacific Rim talent

Take Ninagawa Gallery – Tokyo, Japan

Promoting emerging Japanese artists within a cross-generational, international framework

RaebervonStenglin – Zurich, Switzerland

It is much more about concepts, long conversations and long-term commitment

Galerie Emanuel Layr – Vienna, Austria

Finding the right chord among the various artists

Platform China – Beijing/Hongkong, China

This shows how much prejudgment there still is

Fluxia – Milan, Italy

Strive to discover new approaches in contemporary art

Gaudel de Stampa – Paris, France

“Discreet” seems to be the perfect adjective

NON – Istanbul, Turkey

The dawn of an era of collaboration

Vermelho – São Paulo, Brazil

There were no galleries open to a new generation of artists working in a nontraditional way

Eleven Rivington – New York, USA

Newfound talent and rediscovers international artists for a new audience

Ibid. – London, Great Britain

Rather than listing names