BMW Art Guide by Independent Collectors


Frankfurt based Art Collector Tyrown Vincent on his 360° approach

How important is having the title of being a “collector” to you?

A title is not important at all - it merely delivers a description to understand what „one“ has interest in and for others to relate to it in a communication & emotional perspective. It is not an indication for „status“ nor „wealth“ - at least in my case. It simply describes my focus on art collecting, just like the word „artist“ stands for a focus on „creating“ art works of different kinds and the word „gallery“ stands for representation, selling, marketing (of artists and their art works) to collectors, collections and museums.

Does your collection follow a specific theme or particular artists?

My interest in life is inspired by a multitude of things with a 360° approach and so is the art collection. Not to forget we all change our perspectives and develop over time into other directions with new and different interest. This goes for all our private life as much as it goes for our work and professional life. All these facts do have a strong influence on collecting art and it is reflected within an art collection. I often hear from visitors that the sheer amount and variations of art works is overwhelming but somehow it aesthetically fits together and combines an untied energy and aura that people enjoy very much - the collection has about 400 to 600 Visitors a year.

Do you have a personal relationship with the artists you collect?

I have a personal relationship with some artists but this is on a professional level mostly. An artist needs to focus freely on creating. To keep a somewhat „neutral“ position in an artists life (as an art collector) is something I cherish more - it ensures that everyone can keep a free position in thinking, defending and changing craft, technics, views and ideologies. An artist can not be friends with every collector his work is sold to - and a collector can not be friends with every artist he buys work from. I do not see why it is necessary - the art work is the ambassador of the artist. I think it is beautiful to keep a certain mystery about an art work or an artist. We do not have to know everything and we do not have to be to close. However there are some exceptions even in my life - I was friends with some artists before they became artists and before I collected them - and it is even more challenging because you want to protect that friendship while collecting art and you want to protect the person creating it.

Artist Paris Giachoustidis Title "We found a red planet in a black hole" Copyright Paris Giachoustidis courtesy by
Artist Paris Giachoustidis Title "We found a red planet in a black hole" Copyright Paris Giachoustidis courtesy by
Artist Will McBride Titel "Jungs Hinterhof Berlin Stegliz" Copyright Will McBride Archive courtesy by 2
Artist Will McBride Titel "Jungs Hinterhof Berlin Stegliz" Copyright Will McBride Archive courtesy by 2

Is there an artwork that you love but can’t live with due to size, medium, or value?

My drive is to discover beautiful art works that I could possibly live with - it is not a main objective to just own an art work and never see it, which of course would be the case with an art work that can be a challenge as far as size or medium. However once again I contradict myself because I have art works that are in storage and that are currently not on display, simply because I don’t have the space for them. But eventually as the collection rotates, their time to shine will come and as always I can hardly wait to rediscover. As far as value - we kindly ask visitors to not take photos of art works and we rarely (during a tour) communicate value. As far as size - bigger does not always mean better - why not collect smaller works that you can actually hang in your surrounding.

In your opinion, what mistakes do young collectors make? And what mistakes did you make when first starting on your collecting journey?

Patience is a virtue - this is even more important if you are trying to understand who you are and what art it could be you possibly like.
There could be a major difference between buying blue chips, names and top line NFTs or „Crypto“ art were „performance“ is more important than an art collector just collecting what he likes and feels. There is a multitude of organizations and advisories that are trying to predict the future of collecting and artists but you will never have a guarantee. Nothing is as unpredictable as the modern & contemporary art market especially since this field is now also talking about „trends“ and being monitored like a stock market. There is nothing wrong with it if this is the way you prefer - but another way can be that you as an individual make individual choices. Not based on anything else but your mind, heart and quality. History has shown that this can create wonderful art collections too.

How has the attitude to collecting changed since you began?

I am more calm now. Life has shown to me that what you desire most will come to you one way or another, if you are supposed to have it and of course when you at least expect it. An art collection has a natural gravity that will attract works without doing anything. And its always good to learn how to say „No“.

Which publicly accessible private collection would you recommend visiting?

A visit of the Boros Collection in Berlin is always a good idea and Kunstverein „Montez“ in Frankfurt has an amazing private collection of works that in their unique setting is always amazing to visit.

Artist Martina Kügler "blue melting head" 1984 copyright owned by
Artist Martina Kügler "blue melting head" 1984 copyright owned by
Artist Rudolf Nicolai Hochschule für Baukunst und Bildende Künste Weimar abstract sculpture "motor" copyright owned by
Artist Rudolf Nicolai Hochschule für Baukunst und Bildende Künste Weimar abstract sculpture "motor" copyright owned by
Artist Maximilian Prüfer Titel "Mona Lisa 2" Copyright Maximilian Prüfer courtesy
Artist Maximilian Prüfer Titel "Mona Lisa 2" Copyright Maximilian Prüfer courtesy
R.B.Kitaj Title "For Fear" Coypright R.B.Kitaj courtesy
R.B.Kitaj Title "For Fear" Coypright R.B.Kitaj courtesy

More Information on A PRIVATE COLLECTION

Collections (137)


In this exhibition, held back art, raises questions about the act of collecting, the history of the works and their relationship with the exhibition space.

Saloni Doshi Collection

The Right to Look- Photographs from the Saloni Doshi Collection.


Curated exhibitions of emerging and established artistic positions in the space of a former fittings factory.


One of the most relevant international contemporary art collections in Europe.

The Donum Collection

One of the world's largest accessible private sculpture collections


One of the many initiatives of the Basma Al Sulaiman collection.

Zuzāns Collection

The largest private collection of Latvian art

ARtBON Collection and Foundation

Contemporary art is presented in a surprising way – and enriched by a blue exhibition pavilion

Museum Insel Hombroich

A unique cultural space of international significance

The Ojikutu Collection

Exquisite showcase of treasures of African art, culture, and history

miramART Collection

A non profit association created by Grand Hotel Miramare in Santa Margherita Ligure, Italy


Collection relooked in 'Two Together'


A leading arts organization based in Whistler, British Columbia


A diverse collection of contemporary art

The Sotiris Felios Collection

A unique collection of contemporary art focused on the human figure.

Collezione De Iorio

Interview with Collector Mauro De Iorio

Kiran Nadar Museum of Art

KNMA is a non-commercial, not-for-profit organisation that aims to bridge the gap between art and the public


One of the world’s foremost privately-owned art collections encompassing Islamic, Middle Eastern and Western art.

Colección SOLO

A collection displayed through different temporary exhibitions


Unique Collection based in Naples, Italy

The Bradshaw Collection

A collector couple that profits from the bundled synergy of their highly developed feel for art

Schlosspark Eybesfeld

Carefully executed art projects in a palace-garden setting

The Fernanda Feitosa & Heitor Martins Collection

A journey into the postwar Brazilian art scene

Takahashi Ryutaro Collection

One of the most important collections of contemporary Japanese art

Barjeel Art Foundation

Modern and contemporary art from four corners of the Arab world

The Perimeter

Famous contemporaries and Victorian industrial architecture in Bloomsbury

Museum Dhondt-Dhaenens

Re-opened and in the middle of Flanders, international art stars show in quick succession

West Collection

Key names in international art meet new voices

Rubell Museum

Curator Joey Lico teams up with artist Alexis Diaz to visit the mighty Rubell Museum in Miami

Vorres Museum

3 000 years of Greek history and postwar Greek art

Alexander Ramselaar Collection

A townhouse of young talent from Rotterdam, the Netherlands, and around the world

Quetzal Art Centre

Contemporary art on a winery in the picturesque Alentejo region

Sammlung Wemhöner

A spontaneous exhibition set up in the now empty ballroom, before opening in 2023 as the collection's new home

Museum Liaunig

Nuriel Molcho and Francesca Gavin travel out of Vienna to hillside Carinthia, to meet with Peter Liaunig

Frissiras Museum

3 500 contemporary figurative paintings

Arario Museum in Space

Wide-ranging collection of Korean and Western art by the country’s leading collector and gallerist

Fondazione Brodbeck

Contemporary art in a post-industrial complex—in the shadow of a volcano

Peyrassol—Parc de Sculptures

A sculpture park on a centuries-old vineyard in Provence

Alexander Tutsek-Stiftung

A location for contemporary glass and photography

Colección de Arte Amalia Lacroze de Fortabat

Argentina's wealthiest woman presents six centuries of art-treasure collecting

Museum Brandhorst

Francesca Gavin and Benjamin Jaworskyj explore a dazzling new space in Munich

Rossini Art Site (RAS)

Large-scale sculpture in a landscape park

Castello di Ama per l’Arte Contemporanea

Site-specific installations for a dual passion: art and wine

Kasteel Wijlre Estate

Art from the 1960s to the present in a modern pavilion

Fundació Vila Casas

Three buildings, three points of focus: painting, sculpture and photography

Gibbs Farm

A sculpture park in XXL format with monumental art in the grandness of nature

Kloster Schoenthal

Nature-inspired sculptures in a pristine landscape

Pinchuk Art Centre

Blue-chip contemporary in the first private museum in the former USSR

Museo James Turrell — The Hess Art Collection, Colomé

Turrell’s largest Skyspace and additional light rooms in breathtaking surroundings


An extensive private collection of Swiss contemporary art of the last fifty years

Mathaf—Arab Museum of Modern Art

A Royal Collection Spanning 200 Years of Arab Art – Doha, Qatar


DJ Cassy and Francesca Gavin meet with collectors Venke and Rolf A. Hoff in Henningsvær, Norway

Stella Art Foundation

An exhibition space for contemporary Russian art

Sara Piccinini

Senior Coordinator, Collezione Maramotti - Reggio Emilia, Italy

Reflection and Speculation

Sammlung von Kelterborn – Frankfurt, Germany

Deichtorhallen Hamburg – Sammlung Falckenberg

Positions of social criticism in German and American contemporary art – Hamburg, Germany

The Walther Collection

Inside and Outside the Frame – Neu Ulm, Germany

Peter Ibsen Collection

Minimalist Works That Hone Your Sense for Detail – Copenhagen, Denmark

Initiating Dialogues

Sammlung Hoffmann – Berlin, Germany

The Mallin Collection & Buckhorn Sculpture Park

Andrea Denver and Francesca Gavin meet with collectors Sherry and Joel Mallin in Upstate New York

The Agah Uğur Collection

One of the Largest Video Art Collections in Istanbul, Turkey

KA Modern and Contemporary Art Space

900 Square Meters Dedicated to Lebanon’s Most Significant Artists – Beirut, Lebanon

Art About Beauty and Infirmity

Collezione De Iorio – Trento & Verona, Italy

Living Collection

Gary Yeh and Francesca Gavin meet with architect and collector William Lim in Hong Kong

Early Passions

Z Collection – Hong Kong, China

Infinite Interiors

Philara Collection – Dusseldorf, Germany

Papko Art Collection

Works of Turkish Modernism at the legendary Ralli Apartment in Istanbul

Risky Business

Astrup Fearnley Museet – Oslo, Norway

Something Special, Something Sacred

The Goss-Michael Foundation – Dallas, United States of America

JAHM – Justin Art House Museum

Digital and Abstract Art — Melbourne, Australia

A More Democratic Art

MACBA – Museum of Contemporary Art of Buenos Aires, Argentina

Embracing the Accidental

Trajković Collection – Belgrade, Serbia

Galila's P.O.C.

A Collection Made up of Thematic Collections – Brussels, Belgium

Establishing Roots and Creating Links

The Ovidiu Șandor Collection – Timișoara, Romania

Instituto Figueiredo Ferraz

Abstract painting and concept art in Brazil’s interior – São Paulo

Conversation Pieces

KUNSTSAELE Berlin – Berlin, Germany

Magazzino Italian Art

Contemporary Italian Art on the Hudson River – New York

Slow Learning

de la Cruz Collection – Miami, United States of America

Zeitz Museum of Contemporary Art Africa

A venue for contemporary African art – Cape Town

The Elliott Eyes Collection

Engaging With the Collectors – Sydney

Foundation Francès

A French roadtrip reaching the radical reflections of artist Kader Attia

The Sublime Hyacinth Collection

Czech Art Meets Czech Design – Prague, Czech Republic

Marciano Art Foundation

Contemporary art at the Masonic temple – Los Angeles

Time Stamps

Julia Stoschek Collection – Berlin, Germany

Generative Grammars

Servais Family Collection – Brussels, Belgium

Chasing the Future

dslcollection – Paris, France

Charged Atmospheres

Transformer Station – Cleveland, United States of America

Places in, and out of, Time

Adrastus Collection – Arévalo, Spain

Eloquent Silences

The Givon Art Forum – Tel Aviv, Israel

Counting to Ten

Ten Cubed – Melbourne, Australia

Dispersing Narratives

The Wedge Collection – Toronto, Canada

Dialogues in Nature

Chatsworth – Bakewell, Great Britain

Present Pasts

The Feuerle Collection – Berlin, Germany

Space for the Future

The Vanhaerents Art Collection – Brussels, Belgium

Colección Contemporánea

A Global Collection from a Seasoned Art Collector In Mexico City

Adrastus Collection

A Collection That Shows the Diversity of Art in the Age of Globalization – Arevalo, Spain

Masters and Romantics

Collection Lambert – Avignon, France

Fondazione Rolla

A Collection of Modern and Contemporary Photography in Ticino

Finnish Rhapsody

Didrichsen Art Museum – Helsinki, Finland

Cranford Collection

One of Europe’s Most Important Collections with Renowned Contemporaries in Regent’s Park – London

Broad Minded

Artist Tomasz Kobialka on The Broad – Los Angeles, USA

Jean-Paul Najar Foundation

European-American Post-Minimalist Art in a Bauhaus-inspired building – Dubai

Treasure Hunt

The Wanås Foundation/Wanås Konst – Knislinge, Sweden

AMC Collezione Coppola

A Curious Collector Acquiring Art to Broaden his Understanding of the World

A Home for Light and Color

MALBA – Museo de Arte Latinoamericano de Buenos Aires

Newport Street Gallery

Damien Hirst’s ‘Murderme’ Collection finds a permanent home – London

Franks Suss Collection

A Duo Investing in Artists and Not Cashing In – Hong Kong, London and Sydney

Mallin Collection & Buckhorn Sculpture Park

A Magic Sculpture Garden in Westchester County – Pound Ridge, New York

Shine On

Wurlitzer – Berlin-Pied-à-Terre Collection – Berlin, Germany

Houghton Hall – King's Lynn

Lavish 18th Century interiors juxtaposed with contemporary outdoor sculpture

Venet Foundation

An Artist’s Take on Collecting in the South of France

G2 Kunsthalle

Large-scale paintings of the New Leipzig School in dialogue

The Immaculate Collection

Igal Ahouvi Art Collection – Tel Aviv, Israel


The best of Chinese contemporary art, available 24/7/365

Thoma Foundation

Two intimate art spaces in Chicago and Santa Fe encourage dialogue between work and viewer

Lyon Housemuseum

Located near Melbourne, Australia, collector Corbett Lyon designed the Housemuseum to share it with the public

Follow The Yellow Brick Road

Inhotim – Instituto de Arte Contemporânea e Jardim Botânico

Portraiture Confronting a Land’s Traumatic Past

The Walther Collection – Project Space New York – New York City

Conceptual Authenticity

Sammlung Barbara und Axel Haubrok - haubrok projects - Berlin, Germany

A Self-taught Collector

Vass Collection - Veszprém, Hungary

Roots in Rotterdam

Concordia Collection - Rotterdam, Netherlands

Louvre goes Lens – and Pinault follows

How France’s most established museum and collector are redeveloping forgotten places

History Reinvented

Insights into the influential collection of Martin Parr

A Collection Which Never Sleeps

David Roberts Art Foundation – Great Britain, London

Get Lucky

David Walsh and his MONA

An Eye into a Secret World

SIP Shpilman Institute for Photography – Tel Aviv, Israel

Gifts for Philadelphia

Private collectors with a generous heart

A New Home for Miami’s Art Scene

On the opening of the Jorge M. Pérez Museum

Prima Materia at Punta Della Dogana

François Pinault Foundation - Venice, Italy

Eric and Jean Cass Collection

A private collection goes public

Bernardo Paz’s Transformative Museum

A closer look at Inhotim in Brazil

The Open Road to Jupiter

Robert & Nicky Wilson - Jupiter Artland

Collecting with an Impact

Dakis Joannou - Deste Foundation for Contemporary Art

Menil Collection Makeover

Starting with the parking lot

White Rabbit Collection

Chinese Contemporary Art – Australia, Sydney


One of the most important venues for contemporary art in Austria